User profiles for P. Vuust

Peter Vuust

Professor, Aarhus University & The Royal Academy of Music, Aarhus
Verified email at musikkons.dk
Cited by 10319

Follow you, follow me: continuous mutual prediction and adaptation in joint tapping

I Konvalinka, P Vuust, A Roepstorff… - Quarterly journal of …, 2010 - journals.sagepub.com
To study the mechanisms of coordination that are fundamental to successful interactions we
carried out a joint finger tapping experiment in which pairs of participants were asked to …

[HTML][HTML] Syncopation, body-movement and pleasure in groove music

…, EF Clarke, M Wallentin, ML Kringelbach, P Vuust - PloS one, 2014 - journals.plos.org
Moving to music is an essential human pleasure particularly related to musical groove.
Structurally, music associated with groove is often characterised by rhythmic complexity in the …

Predictive processes and the peculiar case of music

S Koelsch, P Vuust, K Friston - Trends in cognitive sciences, 2019 - cell.com
We suggest that music perception is an active act of listening, providing an irresistible
epistemic offering. When listening to music we constantly generate plausible hypotheses about …

The Musical Ear Test, a new reliable test for measuring musical competence

…, AH Nielsen, M Friis-Olivarius, C Vuust, P Vuust - Learning and Individual …, 2010 - Elsevier
This paper reports results from three experiments using the Musical Ear Test (MET), a new
test designed for measuring musical abilities in both musicians and non-musicians in an …

To musicians, the message is in the meter: Pre-attentive neuronal responses to incongruent rhythm are left-lateralized in musicians

P Vuust, KJ Pallesen, C Bailey, TL Van Zuijen… - Neuroimage, 2005 - Elsevier
Musicians exchange non-verbal cues as messages when they play together. This is particularly
true in music with a sketchy outline. Jazz musicians receive and interpret the cues when …

Predictive coding of music–brain responses to rhythmic incongruity

P Vuust, L Ostergaard, KJ Pallesen, C Bailey… - cortex, 2009 - Elsevier
During the last decades, models of music processing in the brain have mainly discussed the
specificity of brain modules involved in processing different musical components. We argue …

[HTML][HTML] Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and meter perception in music

P Vuust, MAG Witek - Frontiers in psychology, 2014 - frontiersin.org
Musical rhythm, consisting of apparently abstract intervals of accented temporal events, has
a remarkable capacity to move our minds and bodies. How does the cognitive system …

Ever-changing cycles of musical pleasure: the role of dopamine and anticipation.

L Gebauer, ML Kringelbach, P Vuust - … : Music, Mind, and Brain, 2012 - psycnet.apa.org
… Within music, there is constant change of minor elements, which may or may not catch our
attention and engage our brain in a search for meaning (Vuust & Kringelbach, 2010). Alerting …

Music for insomnia in adults

…, J Koenig, P Jennum, P Vuust - Cochrane Database of …, 2015 - cochranelibrary.com
Background Insomnia is a common sleep disorder in modern society. It causes reduced
quality of life and is associated with impairments in physical and mental health. Listening to …

The sound of music: differentiating musicians using a fast, musical multi-feature mismatch negativity paradigm

P Vuust, E Brattico, M Seppänen, R Näätänen… - Neuropsychologia, 2012 - Elsevier
… Author links open overlay panel Peter Vuust a b 1 , Elvira Brattico c d 1 , Miia Seppänen c d
… by the location deviant compared with all the others (p < .0001 in LSD post hoc tests) and the …