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Birds have swing: Multifractal analysis reveals expressive rhythm in birdsong

Tina Roeske, Damian Kelty-Stephen, Sebastian Wallot
doi: https://doi.org/10.1101/157594
Tina Roeske
1Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt, Germany
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  • For correspondence: christina.roeske@gmail.com
Damian Kelty-Stephen
2Department of Psychology, Grinnell College, Grinnell, 50112 IA, USA
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Sebastian Wallot
1Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt, Germany
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Article Information

doi 
https://doi.org/10.1101/157594
History 
  • June 29, 2017.
Copyright 
The copyright holder for this preprint is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under a CC-BY 4.0 International license.

Author Information

  1. Tina Roeske1,*,
  2. Damian Kelty-Stephen2 and
  3. Sebastian Wallot1
  1. 1Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt, Germany
  2. 2Department of Psychology, Grinnell College, Grinnell, 50112 IA, USA
  1. ↵*Corresponding author (christina.roeske{at}gmail.com)
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Posted June 29, 2017.
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Birds have swing: Multifractal analysis reveals expressive rhythm in birdsong
Tina Roeske, Damian Kelty-Stephen, Sebastian Wallot
bioRxiv 157594; doi: https://doi.org/10.1101/157594
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Birds have swing: Multifractal analysis reveals expressive rhythm in birdsong
Tina Roeske, Damian Kelty-Stephen, Sebastian Wallot
bioRxiv 157594; doi: https://doi.org/10.1101/157594

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