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Consonance perception in congenital amusia: behavioral and brain responses to harmonicity and beating cues

View ORCID ProfileJackson E. Graves, View ORCID ProfileAgathe Pralus, View ORCID ProfileLesly Fornoni, View ORCID ProfileAndrew J. Oxenham, View ORCID ProfileBarbara Tillmann, View ORCID ProfileAnne Caclin
doi: https://doi.org/10.1101/2021.11.15.468620
Jackson E. Graves
1Lyon Neuroscience Research Center, CNRS UMR 5292, Inserm U1028, Université Lyon 1, Lyon, France
2Laboratoire des systèmes perceptifs, Département d’études cognitives, École normale supérieure, PSL University, CNRS, Paris, France
3Department of Psychology, University of Minnesota, Minneapolis, MN, USA
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  • For correspondence: jackson.graves@ens.psl.eu
Agathe Pralus
1Lyon Neuroscience Research Center, CNRS UMR 5292, Inserm U1028, Université Lyon 1, Lyon, France
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Lesly Fornoni
1Lyon Neuroscience Research Center, CNRS UMR 5292, Inserm U1028, Université Lyon 1, Lyon, France
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Andrew J. Oxenham
3Department of Psychology, University of Minnesota, Minneapolis, MN, USA
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Barbara Tillmann
1Lyon Neuroscience Research Center, CNRS UMR 5292, Inserm U1028, Université Lyon 1, Lyon, France
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Anne Caclin
1Lyon Neuroscience Research Center, CNRS UMR 5292, Inserm U1028, Université Lyon 1, Lyon, France
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Abstract

Congenital amusia is a neurodevelopmental disorder characterized by difficulties in the perception and production of music, including the perception of consonance and dissonance, or the judgment of certain combinations of pitches as more pleasant than others. Two perceptual cues for dissonance are inharmonicity (the lack of a common fundamental frequency between components) and beating (amplitude fluctuations produced by close, interacting frequency components). In the presence of inharmonicities or beats, amusics have previously been reported to be insensitive to inharmonicity, but to exhibit normal sensitivity to beats. In the present study, we measured adaptive discrimination thresholds in amusic participants and found elevated thresholds for both cues. We recorded EEG and measured the mismatch negativity (MMN) in evoked potentials to consonance and dissonance deviants in an oddball paradigm. The amplitude of the MMN response was similar overall for amusics and controls, but while control participants showed a stronger MMN to harmonicity cues than to beating cues, amusic participants showed a stronger MMN to beating cues than to harmonicity cues. These findings suggest that initial encoding of consonance cues may be intact in amusia despite impaired behavioral performance, but that the relative weight of non-spectral cues may be increased for amusic individuals.

Competing Interest Statement

The authors have declared no competing interest.

Footnotes

  • ↵* Joint last authors

  • b Because d′ is not normally distributed, with a mode at 0 (representing chance performance), but a longer positive tail (representing better-than-chance performance), a nonparametric test is more appropriate.

Copyright 
The copyright holder for this preprint is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under a CC-BY-NC-ND 4.0 International license.
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Posted November 17, 2021.
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Consonance perception in congenital amusia: behavioral and brain responses to harmonicity and beating cues
Jackson E. Graves, Agathe Pralus, Lesly Fornoni, Andrew J. Oxenham, Barbara Tillmann, Anne Caclin
bioRxiv 2021.11.15.468620; doi: https://doi.org/10.1101/2021.11.15.468620
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Consonance perception in congenital amusia: behavioral and brain responses to harmonicity and beating cues
Jackson E. Graves, Agathe Pralus, Lesly Fornoni, Andrew J. Oxenham, Barbara Tillmann, Anne Caclin
bioRxiv 2021.11.15.468620; doi: https://doi.org/10.1101/2021.11.15.468620

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