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Neural entrainment is strongest to the spectral flux of slow music and depends on familiarity and beat salience

View ORCID ProfileKristin Weineck, Olivia Xin Wen, Molly J. Henry
doi: https://doi.org/10.1101/2021.11.29.470396
Kristin Weineck
1Research Group “Neural and Environmental Rhythms”, Max Planck Institute for Empirical Aesthetics, Grüneburgweg 14, 60322 Frankfurt am Main, Germany
2Institute for Cell Biology and Neuroscience, Goethe University Frankfurt am Main, Max-von-Laue-Str. 13, 60438, Frankfurt am Main, Germany
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  • For correspondence: kristin.weineck@ae.mpg.de molly.henry@ae.mpg.de
Olivia Xin Wen
1Research Group “Neural and Environmental Rhythms”, Max Planck Institute for Empirical Aesthetics, Grüneburgweg 14, 60322 Frankfurt am Main, Germany
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Molly J. Henry
1Research Group “Neural and Environmental Rhythms”, Max Planck Institute for Empirical Aesthetics, Grüneburgweg 14, 60322 Frankfurt am Main, Germany
3Department of Psychology, Ryerson University, 350 Victoria Street, Toronto, Ontario, Canada M5B 2K3
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  • For correspondence: kristin.weineck@ae.mpg.de molly.henry@ae.mpg.de
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Abstract

Neural activity in the auditory system synchronizes to sound rhythms, and brain–environment synchronization is thought to be fundamental to successful auditory perception. Sound rhythms are often operationalized in terms of the sound’s amplitude envelope. We hypothesized that – especially for music – the envelope might not best capture the complex spectro-temporal fluctuations that give rise to beat perception and synchronize neural activity. This study investigated 1) neural entrainment to different musical features, 2) tempo-dependence of neural entrainment, and 3) dependence of entrainment on familiarity, enjoyment, and ease of beat perception. In this electroencephalography study, 37 human participants listened to tempo-modulated music (1–4 Hz). Independent of whether the analysis approach was based on temporal response functions (TRFs) or reliable components analysis (RCA), the spectral flux of music – as opposed to the amplitude envelope – evoked strongest neural entrainment. Moreover, music with slower beat rates, high familiarity, and easy-to-perceive beats elicited the strongest neural response. Based on the TRFs, we could decode music stimulation tempo, but also perceived beat rate, even when the two differed. Our results demonstrate the importance of accurately characterizing musical acoustics in the context of studying neural entrainment, and demonstrate entrainment’s sensitivity to musical tempo, familiarity, and beat salience.

Competing Interest Statement

The authors have declared no competing interest.

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The copyright holder for this preprint is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under a CC-BY 4.0 International license.
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Posted December 10, 2021.
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Neural entrainment is strongest to the spectral flux of slow music and depends on familiarity and beat salience
Kristin Weineck, Olivia Xin Wen, Molly J. Henry
bioRxiv 2021.11.29.470396; doi: https://doi.org/10.1101/2021.11.29.470396
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Neural entrainment is strongest to the spectral flux of slow music and depends on familiarity and beat salience
Kristin Weineck, Olivia Xin Wen, Molly J. Henry
bioRxiv 2021.11.29.470396; doi: https://doi.org/10.1101/2021.11.29.470396

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